Adrien Storage Unit

Product details

Designed by Vincent Van Duysen

The Adrien Storage Unit brings a refined design with a minimalist aesthetic, emphasizing elegance and modern functionality. The unit's ultra-thin aluminum frame highlights Stopsol glass and integrated LED lighting, elegantly showcasing your items. The unit is available in four- or five-door configurations, it pairs refined materials with thoughtful craftsmanship, making it a standout addition to any space.

Customize the back panel in wood, Fine Grain, or Stopsol glass to complement its transparent, airy aesthetic. The Stopsol glass doors, framed in pewter-finish aluminum, open effortlessly with a patented 95° hinge seamlessly built into the side.

Material Options:

Base and Top: Wood or Marble

Back Panel: Stopsol glass with a pewter-finish aluminum frame, Eucalyptus, Graphite Oak, or Fine Grain

Doors: Stopsol glass with a pewter-finish aluminum frame

Dimensions:

W 78.6" x D 20.5" x H 34.6"

W 98" x D 20.5" x H 34.6"

W 104.4" x D 20.5" x H 34.6"

This product has a delivery estimate of 18-20 weeks.

Starting at $8,820.00

Dimensions:W 78.6" x D 20.5" x H 34.6" W 98" x D 20.5" x H 34.6" W 104.4" x D 20.5" x H 34.6" 

For more than 80 years, Molteni&C has defined the concept of fine Italian craftsmanship. Incorporating its artisan traditions with innovative technology, Molteni&C furnishings are renowned not only for their beauty but also their technical and functional quality, often invisible but unfailingly impressive.

Vincent Van Duysen was born in Lokeren, Belgium, in 1962 and undertook a degree in architecture at the Higher Institute of Architecture Sint Lucas, Ghent. Between 1986 and 1987, Van Duysen worked in Milan, collaborating with Aldo Cibic at SottsassAssociati, after which, in 1990, he opened his studio in Antwerp, specializing in architecture and interiors. A strong relationship exists between Van Duysen’s designs and his architectural projects; he chooses to develop furniture and objects from an architectural perspective, creating spatial relations rather than shapes. A rescaled interpretation of his architectural work, Van Duysen creates pieces that provide a sense of purity and essentialism while remaining tactile and grounded. Subsequently, many of the designs refer to essential forms, traditions, or well-known masterpieces, which Van Duysen redefines through a contemporary lens. A balance of form and proportion—without omitting durability, function, and comfort—is critical to the design process. The use of pure and tactile materials results in a clear and timeless design—an architectural language that is not shy of aesthetics but resists fashion and trends. Van Duysen embraces these emotional aspects to celebrate'the art of living’. Van Duysen’s work has been published widely; in 2001, an inaugural monograph was published by the Spanish GG Editions. The first monograph, ‘Complete Works’, published by Thames & Hudson in 2010, focused on his multidisciplinary approach, where architecture, interior architecture, and design are equally considered. In 2013, the office was approached by the Portuguese publisher A.MAG to release an edition of selected works, and again in 2016 by the Japanese magazine A+U. A fifth monograph, again by Thames & Hudson, will document the most recent work, captured by a selection of world-renowned architecture and interior photographers, due for release in 2018.

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