Selene Armchair

Product details

Designed by Roberto Lazzeroni

An armchair in which the leather upholstery is dominant and is exhibited as a unique piece of leather.

The meticulous and elegant details and the seams exalt its fine workmanship, for an armchair to be admired. The versatility of Selene plays on functionality: designed for dining, it can accompany a formal table for meetings, gives elegance behind a home desk or offers a unique atmosphere to a hotel suite.

Small armchair with legs in leather and upholstery in fabric or leather, proposed in one color or in two colors with the external side in leather and the internal one in fabric or leather, with always a leather piping.

This product has a delivery estimate of 20-24 weeks.

Dimensions:

Selene 73010

W 22.8" x D 24" x H 32.6"

Selene 73011

W 22.8" x D 24" x H 32.6"

Masters of The Art of Shaping, Giorgetti has been perfecting innovative woodworking for more than a century from their home in Brianza, Italy. The epitome of Made in Italy style, Giorgetti’s unique and original aesthetic has resulted in a range of functional, contemporary pieces with unmistakable flair.

Roberto Lazzeroni was born in Pisa, Italy, and it remains the town where he has chosen to live and to work. His professional training is the result of studies – Art and Architecture in Florence. From the beginning, Lazzeroni has shown an interest both in the phenomena of the world of conceptual art and the ones of radical design.

In the early 80’s, Lazzeroni started to be interested in industrial and interior design, a specialization which he defines as fundamental for the following approach to the world of the “industrial product”. Talking about his own projects, Lazzeroni uses the expression of “sentimental design”; it is indeed easy, even for an untrained eye, to see the tension between past and future in his works. This trend is nowadays defined as “transitive design”. The signs of past are somehow recognizable; they are clearly worked out again and the outcome is a real and balanced tension between past and future.

Roberto Lazzeroni has had a very dynamic career with some precise constants that show he is always involved in two different directions: his studies and his professional interests. Both have made him an undisputed protagonist of important exhibitions, and his approach to design is absolutely integrated in the everyday reality of interior space.

In his opinion, interior architecture is a necessary discipline, a sort of training field in which to glean varied experience in materials, techniques, and problems inherent to home design. A fundamental step for anyone approaching the world of product design.

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